Best Photographers of May 2021
Isabeau De Rouffignac
I followed an artistic career path with a drawing baccalaureate, 2 years of preparatory classes at the Met de Penninghen studio, then I entered the graphic art school. This was followed by a long experience in design agencies (Design Strategy Orchestra), communication agencies (CPP), and manufacturing agencies (Vision Prod) as an employee and then as a freelancer since 1999.
It is this status that will allow me to devote myself to photography, which I discovered in the 2000s.
It was a revelation and soon became obvious. Since then, I have been photographing worlds far and near, between a documentary approach and a resolutely artistic approach. A line of conduct, like a thread that runs through my work and gives it coherence: approaching the other, taming them, taking the time, learning their language, being forgotten, with a gaze that is always curious and fundamentally empathetic.
Four photographic editions were born from this work.
Since 2017, I devote all my time to photography.
And although I have an initial training that integrates the work of the image and long-standing photographic practice, I felt the need to go further, to question my writing, and I have therefore attended several workshops and training courses. (Arles, Cifap, Gobelins)
In 2018, I became a member of Studio Hans Lucas
Today, the more I advance in my artistic practice, the more I approach my projects from a documentary point of view, but with an aesthetic or even plastic approach from the start. By mixing these different ways of working on my subject, I leave the imposed categories (documentary, plastic photography, etc.) to invent my own language that allows me to convey a message (environmental, social, humanitarian, political, etc.). This is the case in my latest work in India, pleas. In Bhopal, they point out the consequences of the worst chemical disaster the world has ever known, and in Rajsamand, they tell of the difficult working conditions of the miners.
What better way to improve your own work than to be inspired by others? I am absolutely convinced that discovering new portfolios on a regular basis helps educate your eye and have a better understanding of the possibilities that photography offers. Contemplating amazing images, in addition to being a pleasure, is a very good way to develop your ‘photographic eye’, that little extra thing that will make your photos stand out. Each month we continue to discover incredible work from photographers that live and travel all around the world. Here is a selection of some incredible images of modern photographers for this month of May 2021 you can get some creative inspiration from.
Joshua Irwandi (Jakarta, Indonesia) is a freelance documentary photographer based in Jakarta, Indonesia.
Irwandi received a B.A. in English literature from the University of Exeter, and pursued graduate studies in photojournalism and documentary photography at the London College of Communication.
While working in West Papua, Indonesia, Irwandi focused on a long-term project on the changes in identity and landscape of the Asmat people. His project ‘Not A Blank Canvas’ has been awarded the National Geographic Society exploration grant in 2021.
Irwandi was a participant in the 2014 New York Portfolio Review, as well as the Eddie Adams, Magnum Photos, and VII Photo workshops. In 2020, his work is part of the Forhanna Foundation Fund for Young Talent grant and National Geographic Society’s COVID-19 Emergency Fund for Journalists project. One of his images, ‘The Human Cost of COVID-19’, sparked controversy in Indonesia when it went viral after publication by National Geographic. He has exhibited at Breda Photo Festival in the Netherlands. In 2021, he was selected as one of the speakers for the National Geographic Society’s Storytellers Summit. Recently, he was nominated for the 2021 World Press Photo Award in General News.
Irwandi’s work has been featured in National Geographic, TIME, The Times of London, and The Guardian.
Dominican Republic/United States
I was born in the Dominican Republic and growing up in the 1960s I watched my parents devote time to help others, exposing me to the inequality of wealth, education, and the lack of mind and body wellness prevalent on our small island. It was hard for me to understand why poor children would be on the streets instead of in a warmer, safer place. I saw school-age boys like me but barefoot and shining the fancy shoes of businessmen. Scruffy kids with open hands asking for pennies. Running, begging for anything to eat, fending for themselves, and surviving on their wits alone. None of my parents’ words made it better or helped me understand what led to my country’s socio-economic crisis. With my parents’ humanistic influence, I figured I would become an attorney like my father or a missionary doctor.
In 1972, I arrived in the US for high school without speaking any English.
By my last year of college in Tennessee, I lost all desire to become a doctor, My father stopped supporting me. I found work on the assembly lines and loading docks of the local McKee Baking Company.
My break into professional photography began when I was hired as a staff photographer for The Chattanooga Times in 1982. While that photojournalism experience was invaluable, I soon left for the Washington, DC area, where I began a freelance editorial photography career and from there migrated into humanistic photography.
In 1989, I began traveling to Cuba to find long-lost relatives. There I learned about the social issues of the island and the survival spirit of the Cuban people, becoming increasingly aware of the socio-political climate I continued to travel there. My documentary photos from my Cuban project culminated in an exhibition in 1995, where a Washington Post columnist wrote: “Paganelli’s Cuban photographs are a brilliant window on a land and people too long hidden from North American eyes… Paganelli brings an artist’s eyes and a native son’s sensibility to his superb photographs.” My current essay project, which started in 1994, explores Black Cowboys across the USA, examining cultural and regional influences within this well-developed sub-culture
I was born in 1961 in Castellammare di Stabia near Naples.
I live in Treviso (Italy).
I immediately loved street photography, this awareness over time has pushed me to investigate my “daily” in-depth, constantly seeking poetry and beauty in the humanity around me.
From 2010 to 2017, I was a member of the international collective “Vivo” and in 2013 I founded “SPONTANEA” an Italian collective dedicated to street photography dissolved in 2019
I like to convey my passion by curating workshops, exhibitions, portfolio readings, presentations, writing articles, and insights on photography.
Many of my photos and photographic projects have been published in the main Italian and international photography magazines.
After a successful career writing for American television comedies, Susan Borowitz embarked on a study of the practice of photography in 2011 and discovered a new medium by which to tell stories. Classes at New York City’s International Center for Photography led to creative self-portraiture and ultimately fine art photography, specifically staged narratives, where she expresses reflections of psychological journeys. She has won several awards for images in her series Locked-In, most notably Pollux Awards, LifeFramer, One Eyeland, and Chromatic Awards, and has been the subject of several artist interviews/profiles for online and print publications. Exhibition venues include New York, Ohio, Berlin, and Barcelona.
Simon Mï¿½ricz-Sabjï¿½n was born in Kiskunhalas, Hungary in 1980. He is an award-winning photojournalist and documentary photographer living in Budapest, Hungary. Since 2016 he is the official photographer of the Hungarian daily business newspaper Vilï¿½ggazdasï¿½g and the monthly business magazine Manager Magazin. Between 2003 and 2016 he worked for Nï¿½pszabadsï¿½g, the largest Hungarian independent daily political newspaper which was closed down in October 2016.
Apart from his job Simon works on personal projects as well, dedicating a lot of time to develop his personal material, working on photo essays for years in some cases. May it be a social issue or just everyday stories, his main focus is the human being and his surroundings.
Simon’s work has been recognized by many photography awards. He has won first prizes at the China International Press Photo Contest on two occasions, as well as multiple awards from Pictures of the Year International (POYi), NPPA Best of Photojournalism, Prix International de la Photographie, PDN, iPhone Photography Awards, Ringier Photo Award, Kolga Tbilisi Photo Award and FCBarcelona Photo Award. Among other acknowledgments, he won prizes at Hungarian Press Photo competitions on 37 occasions, including two Grand Prizes of the Association of Hungarian Journalists; five Munkï¿½csi Mï¿½rton Awards for the best collections; three awards for photographers under 30; the best press photographer award; and two Escher Kï¿½roly Prizes for the best news photo. Three times winner of Jï¿½zsef Pï¿½csi scholarship (for talented young art photographers), five times winner of NKA scholarship; he won the Budapest Photography Scholarship in 2012, the Nï¿½pszabadsï¿½g Grand Prize in 2013, and the Hemző Kï¿½roly Prize in 2015.
His photos have been exhibited in numerous galleries including the Hungarian National Museum; Mai Manï¿½ House (Hungarian House of Photography); Kunsthalle Budapest; Robert Capa Contemporary Photography Center; Palace of Arts, Budapest; The Castle Garden Bazaar, Budapest; Kolga Tbilisi Photo, Tbilisi; POYi, Denver; Expo Milano; Art Gallery Ilia Beshkov, Pleven; Archives Museum, Chengdu; Festival Voies Off, Arles; Museu Agbar de les Aigües, Barcelona; Mies, Switzerland; National Museum, Warsaw.
He is a founding member of Pictorial Collective, a group of Hungarian photojournalists.
Jo Ann Chauss
Jo Ann Chaus is an American photographer from and based in the New York metro area She holds two certificates from the International Center of Photography in New York City. In 2016 Jo Ann self-published “Sweetie & Hansom”, a 60-image book with original text exploring family, relationships, and loss. Her current body of work, “Conversations with Myself”, is a collection of performative self-portraiture that explores women’s roles and identity, currently under edit for publishing. Her work has been exhibited nationally and internationally, and she holds special recognitions and awards: Critical Mass Top 200 2020, 2019, 15th Julia Margaret Cameron Award for Women Photographers Winner Self Portrait Series, 14th Julia Margaret Cameron Awards Honorable Mention, Winner 13th Pollux Awards non-professional category, Critical Mass 2019 Top 200, Klompching Fresh 2019 Finalist, PDN Emerging Photographer Fall 2019 Winner, , Candela Unbound8! and 9! juried exhibitions, Permanent Collection in the Center for Creative Photography Qualities of Light Exhibition, Juror’s Choice South East Center for Photography Portrait Exhibition 2019.
Photographer, designer, artist. member of the Union of Russian Art Photographers.
George was born in Nizhny Tagil, Russia in 1985. In 2004 he graduated from the Ural College of Arts and Crafts with honors where he majored in environmental design. Up to 2007, he worked as an interior designer. He participated and became a prize-winner of Russian national contests of architecture and design. His works were published in professional books and periodicals for architects and designers by such publishing houses as Tatlin and UniverPress.
Since 2008 he has been taking part in well-known international photo contests such as Photography Masters Cup (USA), The Spider Awards (USA), National Portrait Gallery Awards (UK), Maestro Photo Contest (Russia). In 2011 George Mayer won the Russian photo contest Young Photographers of Russia. The contest projects were exhibited in Kazan, Moscow, at the international art festival in Marsciano (Italy) and were published in professional editions. In 2011 George was the winner of the photo contest The Spider Awards (USA) where he won Photographer of the Year, Outstanding Achievements in Black-and-White Photography. In 2011 George Mayer arranged his first personal exhibition in FotoliaLAB Gallery (Berlin, Germany). In 2012 he was a finalist of the contest Young Photographers of Russia after which he was admitted to the Union of Russian Art Photographers. In the same year, he was nominated for the award in the photo contest Sony World Photography Awards, the exhibition was held in Somerset House (London, UK).
In 2015 he participated in the project Perfumer organized by the art center Perinnye Ryady in St. Petersburg (Russia). With his project “Shadows” he won Photographer of the Year at Internation-al Photography Awards. The award ceremony took place in Carnegie Hall (New York, USA). George was nominated for the first prize of IPA and Lucie Awards statuette.
In 2017 George won one of the most prestigious world photography contests “Sony World Photography Awards” where the project Light. Shadows. The perfect woman.” took the first prize among the professionals in the nomination “Portraiture”. After winning the project “Light. Shadows. The perfect woman.” was published in numerous specialized European editions about photography. The SONY company gave a grant for the project “Libido & Mortido”, the portraits from this project were exhibited in Somerset House, London.
Along with art photography, George Mayer works in commercial and fashion photography. Since 2009 he has been collaborating with internationally recognized modeling agencies and stylists. Thanks to this his works are regularly published in Russian and foreign fashion magazines. Among the companies that have bought photos by George Mayer are Adobe, Atlantic Records, Alfa Romeo, Lalique, and others.
His photographs can be seen on covers of dozens of music CDs by such popular foreign singers as Chris Brown, “Buller for my Valentine”, “Operator”. And also one can see photos by George on books by acknowledged Russian and foreign writers and playwrights. Among them are the Nobel Prize winner in literature Mario Vargas Llosa and the famous French writer Bernard Werber. Some photos were also bought by Netflix for the film “Bright” (2017) starring Will Smith and some photos were bought by MGM Television for the cult-favorite series “Fargo.
Wendy Stone’s love of photography started at Dean College where she took a course in darkroom techniques. She spent the next decade immersing herself in the disciple by avidly taking photographs and laboriously developing them in her homemade darkroom.
In 2000 she enrolled in the University of Connecticut’s photography program. Though after taking her first painting class she changed majors from photography to painting. Her paintings explored light, color, and abstraction always with a strong sense of the subject matter.
Shortly after graduating her son was born. At this time Wendy picked up her camera and started to capture the daily details of her life with a child. A new genre emerged from her, family documentary. Her recent work combines her time spent studying painting with the deeply personal moments of home life.