The free couple, from KTHBE at the Small Theater of Lazariston Monastery
"Free Couple", the hilarious and at the same time indicative comedy for a couple who is experimenting with the limits of their relationship, premieres by KTHBE at the Small Theater of Lazariston Monastery, directed by Michalis Sionas. Written by another couple,
“Homos, everyone in Greece”, by Jordan Sivey at Apo Michanis Theater
For the first time in Greece, the play "Homos, everyone in Greece" by Jordan Sivei, directed by Antonis Galeou, is presented at the "Apo Michanis" Theater. Homos, in Greece, is all a bone-crushing love comedy, an anatomy of the furious need
A review In ‘Fairycakes,’ the Woods Are Campy, Dark and Daft
Issues are considerably extra fascinating within the Shakespearean part of the plot, the place of a prophecy means that the approaching divorce of Titania and Oberon (Burton once more) will consequence within the deaths of their daughters. Now Puck (Chris
World Theater Day Celebration 2021
Performing Arts in Conflict Zones Theatre in Prison (https://www.world-theatre-day.org/)
How Konstantin Tsanislavsky changed the acting universe
Konstantin Stanislavsky’s ideas changed the face of theater as much as Albert Einstein’s theory of relativity changed the understanding of physics. Stanislavsky wrote his name in the history books as the most influential theater practitioner of the modern era and a central mover and shaker in the world of acting and dramatic training.
The South African play that’s tackling the scourge of the street drug whoonga
The drug whoonga has plagued South African communities for at least a decade, yet only gained significant public attention when it appeared more visibly in the inner-city and surrounding suburbs of Durban, the major city in the country’s KwaZulu-Natal province.
Also known as nyaope, whoonga is a street concoction of B-grade heroin, rat-poison (strychnine), and various other chemical components.
The week in theatre: Bubble; Adam Kay: This Is Going to Hurt; Nine Lives
What a dispiriting remark that was of Oliver Dowden’s about the “crown jewels”. It implied that the arts should be preserved, unchanging, apart from the common herd; it suggested that what matters is costly fabric. Fund buildings rather than people. Build a millennium dome rather than set up millennial scholarships for gifted youth. Give to theatres before protecting the freelancer's directors, actors, designers, choreographers – who make the stuff that gives theatres life.
